Cartogram of US Electoral Map by Mark Newman |
Sunday, November 25, 2012
Cuban-Americans and the 2012 US Election: Choices Made
Wednesday, April 11, 2012
Latin American Human Rights Film Festival at Eckerd College
April 11th, 7:00pm, Miller Auditorium: Voices from Mariel
On April 1, 1980, five individuals seeking political asylum crashed a bus through the gates of the Peruvian embassy in Havana, Cuba. Over the next several days up to 10,000 people also sought refuge in that embassy. Fearing that continued civil unrest might cause further violence and additional damage to his regime’s reputation, Fidel Castro proclaimed that any Cuban who wished to immigrate to the United States could board a boat at the nearby port of Mariel. Thus began the “Marielito” story in the United States.
Told through the previously unheard narratives of ten Cuban-American families, Voices from Mariel brings an updated look into the lives of some of the 125,000 Cuban refugees who came to the United States thirty-two years ago as part of the “Mariel Boatlift.” Voices from Mariel explores the legacy of the brave and committed people who risked their lives in the short but dangerous 90-mile sail across the Straits of Florida seeking freedom in the United States.
Q&A segment to follow, featuring the film’s script writer, Dr. José García, Florida Southern College and Eckerd College’s own resident “Marielita,” Prof. Yani Angulo-Cano.
April 12th, 7:00pm, Miller Auditorium: Granito: How to Nail a Dictator
Often a film not just documents, but makes history. So it is with Granito: How to Nail a Dictator, the astonishing new film by Pamela Yates. Part political thriller, part memoir, Yates transports us back in time through a riveting, haunting tale of genocide in Guatemala and returns to the present with a cast of characters joined by destiny and the quest to bring a malevolent dictator to justice.
As if a watchful Maya god were weaving back together threads of a story unraveled by the passage of time, forgotten by most, our characters become integral to the overarching narrative of wrongs done and justice sought that they have pieced together, each adding their granito, their tiny grain of sand, to the epic tale. This award winning production opened at the 2011 NYC Human Rights Watch International Film Festival.
April 13th, 7:00pm, Miller Auditorium: Chico and Rita
Note: This film is presented jointly with the International Cinema Series.
The setting: Cuba, 1948. Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey –in the tradition of the Cuban ballad, the bolero– brings heartache and torment. From Havana to New York, Paris, Hollywood and Las Vegas, two passionate individuals battle impossible odds to unite in music and love. 2012 Oscar Nominated for Best Animated Feature Film.
Saturday, October 22, 2011
Will History or Their People Ever Absolve Them?
In 1635, the Spanish dramatist, Pedro Calderón de la Barca, staged his masterpiece, Life is a Dream. In this drama, Calderón proposes that, in an age of European absolute monarchical power, the struggle between King Basilio and his son Segismundo was to be framed within the dynamic relationship of just monarchical rule vs. people’s revolt against unjust rule. Closer in time, the Nobel-Prize-winning Guatemalan writer, Miguel Ángel Asturias, published in 1946 his landmark novel, Mr. President, where he exposes the negative social consequences of political repression. Asturias’ novel is unique in that it suggests that the dictator also is a victim of the climate of terror that engulfed Guatemala during the long lasting dictatorship of Manuel Estrada Cabrera. Since then, Latin America has had to endure more tyrannical rule as shown in the following partial list of dictatorships: the Anastasio Somoza (father and son) in Nicaragua, Rafael Leónidas Trujillo in Dominican Republic, Alfredo Stroessner in Paraguay, François Duvalier in Haiti, Augusto Pinochet in Chile, Manuel Noriega in Panama, Jorge Rafael Videla in Argentina, and Fulgencio Batista and the Castro brothers in Cuba. Although the power and number of Latin American dictatorships had diminished by the end of the 20th Century, and despite the fact that most tyrants escaped the hand of justice, there were a few who either had to face judicial proceedings against them (Pinochet, Noriega and Videla) or paid for their crimes with their own lives (the Somozas, and Trujillo).
It is with this Spanish and Latin American historical legacy of tyrants who wield absolutely corrupted and self-serving government power, in spite of their peoples’ suffering, that current events in the so called Arab Spring offer a sobering example to the remaining Latin American repressive regimes; foremost among them, the government of Fidel and Raúl Castro. Coincidentally, an October 21, 2011 article titled “The Ends,” the Cuban dissident blogger, Yoani Sánchez comments in her blog, Generation Y, on the death of Muammar Qaddafi, and in doing so she echoes the fear at the top with which Asturias had haunted the tyrant of his El Señor Presidente. She says, “They always have a hidden door, a secret passage through which they can scurry away when they sense danger,” and she adds, “[…] they fear that the same people who applaud them in the plazas can come for them when they lose their fear.” Ms. Sánchez goes on to argue for the need to hold trials for tyrants such as Qaddafi, instead of allowing them to escape as martyrs with their claims of legitimacy unchallenged. In case someone misses the real point of her article, she insists that, “Better that they survive, that they stay and realize that neither history nor their people will ever absolve them.” This, of course, is a clear linkage of the Libyan dictator’s fate to Fidel Castro’s defense following his trial for attempting the overthrow of the Batista dictatorship. The title of Castro’s speech is History will absolve me.
Wednesday, April 27, 2011
Cuba: arte y literatura en exilio
The Florida International University’s Cuban Research Institute [CRI] and Spain’s Legua Editorial co-sponsored the official presentation of a new Cuban research anthology at the FIU Modesto Maidique campus on April 25, 2011. The anthology gathers selected texts that were originally presented at the IV Congreso Internacional sobre creación y exilio “Con Cuba en la Distancia,” held in Valencia, Spain, November 17-21, 2008. The anthology is divided into six chapters detailing the poetic career of Manuel Díaz Martínez, ideological and cultural issues, Afro-Cuban and Chinese-Cuban cultural expressions, theater and cinema, creativeness in exile, and the contemporary scene in art and communications.
Speaking from the podium of the MARC International Pavillion, Prof. Uva de Aragón officially welcomed the anthology on behalf of Florida International University and the Cuban Research Institute. She was followed by Director of Legua Editorial, Grace Piney, who reviewed past Asociación Cultural Con Cuba en la Distancia congresses and seminars, held in Cádiz and Valencia since the year 2000; and who offered the publishing services of Legua Editorial in supporting academic research on Cuban and Latin American issues. Prof. James Pancrazio, co-editor of the anthology, reviewed the selection and editing processes; while Prof. Madeline Cámara commented on its unique features; such as, Chinese elements in Cuban art and literature, AIDS, and the blogosphere. Finally, the well-known journalist, Carlos Alberto Montaner, reminded the audience that Cuban literature has had a marked historical tendency toward its being written abroad, as evidenced by the very anthology. Given the half century schism that separates Cubans in and out of the island, Montaner went on to ponder if Cuban culture is splitting into two distinct manifestations. Questions such as these were discussed in a lively Q & A segment that followed the presentation.
Prof. Madeline Camara, Grace Piney Roche, Prof. James Pancrazio, Carlos Alberto Montaner
Carlos Alberto MontanerProf. Uva de Aragon
Prof. Yanira Angulo-Cano, Prof. Sonia Bravo Utrera, Prof. Uva de Aragon, Grace Piney Roche, Prof. Madeline Camara, Prof. Gabriel Cartaya Front row: Prof. Carlos J. Cano, Prof James J. Pancrazio
*Piney, Grace y Pancrazio, James. Cuba: arte y literatura en exilio. Legua Editorial: Valencia, España, 2011. ISBN: 978-84-938358-6-6 pedidos@leguaeditorial.es
Monday, December 20, 2010
Fiesta Manguitense
El pasado sábado 18 diciembre, los manguitenses se reunieron en el Tropical Park de Miami, Florida, para reanudar amistades, recordar experiencias compartidas y conocer las nuevas generaciones de cubanos-americanos con raíces en el matancero pueblo de Manguito.
A pesar que la celebración se vio en peligro ante las inclemencias del tiempo —lluvia y viento frío— la nutrida concurrencia demostró el ansia de los hijos de Manguito en reunirse en la fecha acordada. La caseta donde se celebró la fiesta estaba saturada de concurrentes que, debido a la lluvia, estaban obligados a mantenerse bajo el escaso techo. Podría decirse que el acoso climático sirvió para unirnos más.
La exquisita comida fue un éxito rotundo. Degustamos de un surtido de platos tradicionales: lechón asado, congrí y maduros, arroz con pollo, croquetas, ensaladas, diversos postres y un maravilloso cake con los colores nacionales.
Como resultaría muy difícil nombrar a todos los presentes en una breve reseña como ésta, me limito a mencionar tres casos excepcionales: Esther Alayón, quien se trasladó desde Madrid para estar presente en nuestra fiesta “pueblerina”; Argelia “Gela" Gómez de Vázquez, galardonada de reconocimiento público, no sólo por ser la manguitense de más avanzada edad, sino también por su apoyo a tantos de sus antiguos vecinos llegados a Florida; y muy en especial para mí, la presencia de mi hijo, Carlos, quien hacía su primer contacto con la comunidad manguitense en el exterior y a quien espero poder inculcarle el amor por Manguito.
Por último, a nombre de todos los manguitenses, nuestro más sincero agradecimiento a la dinámica Milán López y familia por la organización y realización del evento; especialmente, por la preparación de la comida, la decoración y la música que amenizaban el evento. Todos los que tuvimos la suerte de llegarnos hasta Miami estaremos eternamente agradecidos a Milán López por el exitoso reencuentro de los hijos de Manguito.
A continuación comparto algunas imágenes del evento para recuerdo de los asistentes e información para todos aquellos que aunque no pudieron llegar (desde Alemania, España, California, Albuquerque, Nueva York), estarán ansiosos de ver caras conocidas. Más fotografías se encuentran en la página de Manguito en Facebook.
Friday, December 17, 2010
Monday, September 27, 2010
En memoria de Orestes Sánchez Alfonso, 1914-2010
Hilda Gómez Abreu y Orestes Sánchez Alfonso, 31 de agosto, 1946
Uno de los dos familiares más queridos que me quedan en Manguito, mi abuelo, ha fallecido hoy. Junto con el dolor evoco tantos recuerdos de mi niñez. En ellos mi abuelo es una constante. Como he pasado mi vida adulta fuera de Manguito, las palabras que aparecen aquí surgen de la memoria de esa niña que en algún momento fui. Mis recuerdos de mi abuelo también giran alrededor de ese hogar mágico, hermosa casa estilo Art-Déco que construyera sin ayuda de un plano. Pienso en los lugares donde nos reuníamos a jugar, a estudiar o a conversar. Para cada actividad había un espacio reservado. Estudiar se realizaba únicamente en la mesa de cristal del comedor, mientras que los sillones del portal servían de escenario para sus cuentos.
Mi abuelo era muy hábil contándome cuentos, su repertorio era inagotable. Los inventaba al momento y siempre que los repetía, a petición mía, eran un tanto diferentes. Mi favorito era el de Algodoncito Seco. Mi afición a la literatura hoy sin duda se debe a sus muchos esfuerzos en desarrollar en mí el gusto por la literatura infantil. Al mismo tiempo, debido a su formación en la imprenta, me inculcó la importancia de la buena letra y cuidar la ortografía en interminables tardes de dictado. Bien recuerdo los cuadernos que me preparaba, encuadernados por él en la imprenta que había sido el negocio de la familia. Mis cuadernos eran siempre diseñados en rojo o en negro con mi nombre en letras doradas. También guardo el recuerdo de una noche de apagón en Manguito mientras mi abuelo me repasaba las tablas de multiplicar.
Espero en algún momento poder reunirme con mi abuela en Manguito. Pero sé de antemano que la casa familiar me resultará extraña simplemente porque en ella faltará la presencia de Orestes Sánchez Alfonso, mi querido y entrañable abuelo.